Ross’s Art
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Grow in the Dark (2022)
Digital colorized animation made up of 318 individual black-and-white drawings created by Ross in prison. The animation team added coloring, music and loop.
“What began as a desire to track the development of my plant became a much bigger project. What are its surroundings? A cell? How did we get there? Am I there too? I played it over and over in my mind’s eye, imagining how it might look. However, I had no idea how laborious a little animation could be…Oddly, I won’t see this animation myself, not unless I defy the idea it conveys and leave this cage before I grow old and die.”
“I made 64 evenly spaced tic marks around the rim of the cup my plant grew in so that every day I could rotate it slightly and get a new angle on it as it grew…I worked out the geometry of perspective, how objects appear to grow faster the closer you get to them. I imagined different frame rates by tapping my hand and seeing the animation progress in my mind. I thought about how long each part would take, how many frames I would need and how the sizes of the various objects would change. I worked out the formulas and calculated…I traced static elements, using the lightbox I fashioned and averaged dynamic elements between key frames.”
– Ross Ulbricht
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What Becomes of the Cages (2022)
Oil on canvas created in prison.
“What becomes of the cages when we are no longer willing to hurt one another?”
– Ross Ulbricht
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Death (2021)
“My future died that day in court when I was sentenced to life without parole. When I got back to the federal detention center, I did not go straight to my cell block as usual. This time, I was interviewed first to judge whether I was suicidal. I wasn’t, and thankfully, I convinced them I wasn’t, or I would have spent a few days in one of the dreaded “suicide watch” cells. I understand why they did that though. Lots of lifers are suicidal. There is no parole in the federal system, so life means your whole life. It is the same as a death sentence. It just takes longer.”
Full essay by Ross Ulbricht.
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Perspective (2020)
Graphite pencil drawing created in prison
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Uncageable (2020)
Graphite pencil drawing created in prison, with accompanying poem. Drawn during the grueling 2020 year of covid lockdown (22 to 24 hours a day locked in his cell)
From the light of freedom to a concrete tomb,
The fall was great and swift.
My soul cried out in a mighty boom,
How could it come to this?
Clamped down, trapped stuck,
Paralyzed in a tiny cage.
Had fate left me not a drop of luck?
Was there reason for this rage?
Told to lay down and die,
Something deep inside me stirred.
I can’t be caged I have to fly!
Not yet am I interred.
They can take my body, tie me down,
It matters not a bit.
My spirit still runs wild and free,
So in freedom here I sit.
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Life in a Box (2016)
“I let my hair and beard grow for one year after I was given two life sentences plus forty years without parole. Then I drew this picture of me in my cell with Scott, my cellie…Try, if you can, to imagine being in this 65-square-foot cell, just you, your cellie and a pet mouse…Now imagine living here day after day after day…”
Full essay by Ross Ulbricht.
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You lookin’ at Me? (2001)
Graphite pencil drawing made at 17 years old
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Quicksilver (1992)
Graphite pencil drawing made at 8 years old